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Breakfast With The Giants

Thursday, July 8th, 2010

An alarm call of 4am seemed to come round all too quickly. Looking out of the window, the sky showed promise, stars still glinting down at me. It was time to get ourselves wrapped up warm and head into the mountains.

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We reached the bottom of our intended location just before 5am. It was still pitch black. Experience has already told me and my companion that landscape photography is a game of waiting for the light, not chasing after it. Head torches on and heavy backpacks strapped into place we began our ascent up the path towards the summit. Days before we had climbed this exact route, we were familiar with where we were heading, but even so, in the dark it was all to easy to become disorientated.

The climb was slow and considered. Heavy legs were eased by the first pre-dawn colours in the sky. By which time there was a little more cloud drifting in. On wards and upwards we went, with still a considerable way left until we reached the location we had previously scouted out.

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Night sky slowly easing away, the light growing and colours getting brighter we arrived at the small plateau. A familiar boulder sat idol, eager to greet us and share the view across to the Mamores. Pouring a hot drink and slowly setting up my kit, I soaked up the views. Daybreak was slowly approaching, colours becoming more intense. I was ready.

Light eventually poured onto the mountains, clouds stooped in, the occasional flake of snow. Working silently, yet efficiently I found myself lost for words. Transfixed by the sheer beauty and power of mother nature. What seemed like a ridiculously early time to rise and an exhausting climb, bogged down by our bags, didn’t seem to matter now. Adrenaline rushed through my veins, a time when the elements seemed to meet in perfect harmony around me.

An hour or so after the sun had risen, my thoughts turned to my stomach. What I had taken up with me to eat, certainly wasn’t gourmet by any stretch of the imagination, but that really didn’t matter. Who could complain about breakfast with such a fine view!!

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Bridge to the Sky

Thursday, April 1st, 2010

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I took this image on a white water rafting trip on the Kali Gandaki River in Nepal. These bridges are a common sight along the river and provide a lifeline to some of the more remote villages separated by the raging water and deep gorges. Normally by pointing your camera into bright sunlight you would lose most of the detail you’re trying to capture. However in this instance I wanted to create a row of silhouettes set against the swirling cloud so this wasn’t really a problem. Although originally captured in colour I converted the image to monochrome, which accentuated the silhouettes and contrast in the cloud formations.

Sunset Over Selly Oak

Monday, March 22nd, 2010

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This shot was taken at the top of my road, on my way to a meal with my classmates to celebrate our last ever lesson. It feels like the end of an era, I will finally be leaving university, and that is definitely an odd feeling.

I spent the weekend taking photos at a playwriting conference in Birmingham to celebrate the 20th year anniversary of the course, which was founded in the 1980s by David Edgar. My classmates and I saw to the running of the event, making tea, coffee and generally doing odd jobs. We also went to all the talks and listened to what everyone had to say. Unfortunately, there were disagreements amongst the academics, often quite heated ones, and several of them were rather rude to us before and after the speeches.

It is such a shame that they felt they could behave the way they did. Talking to my peers afterwards several of us felt belittled, degraded and overlooked by some of the ‘names’ there. One of my contemporaries even said that he doesn’t think he wants to carry on to PhD level anymore if he has to be surrounded by people like that all the time.

These people, who have all been in the position we are currently in, were invited back as part of a celebration. They were invited back to commemorate the course and playwriting in general. But most of them spent their time talking and arguing amongst themselves. I’m not sure what I expected to get out of the weekend. The chance to talk to some people with experience in working in the field of playwriting and who have been where I’ve been I suppose, but I didn’t get that chance. Instead I spent the weekend being bossed about and being made demands of by people who felt they had the right to do so simply because they were older and had had a piece of work accepted by the industry.

That said, there were one or two writers who were impeccably behaved, who were genuinely interested in what I had to say and what I was doing. They made me feel comfortable and talked to me about their time on the course or their experiences in playwriting; perhaps I just got unlucky by only meeting one or two of these better behaved playwrights.

It was such a disgrace that we were treated the way we were, especially as we are approaching the end of our course. These people had the chance to inspire us, to show us what to expect as we embark on our own careers, as we are the next generation of playwrights and whether they like it or not, it will be our work that will be gracing the stage in years to come. It’s just a shame they didn’t take it.

This photo for me marks the end of a journey. Not only is it a shot of the end of my road, in a city I will soon be leaving. It is of the end of the day; the sunset, and was taken on the last day of my course. I love sunsets, and more often than not I am without a camera when I really want to capture one. Luckily on this day, I had my ST550 with me; it is so handy to just keep in my handbag as it is so small. I turned off the flash and set it on smart mode to make sure I could keep as much of the colours in as possible. The smart mode is great for quick shots, it requires less faffing about, and it meant I could get my shot and not be late to say goodbye to my friends.

Nepal

Tuesday, January 26th, 2010

There are so many things I love about travelling but it’s the interaction with the local people I find most rewarding of all. Nepal is renowned for the friendliness of its people and they didn’t disappoint. Walking around with a camera, no matter how inconspicuous you try to be, will always guarantee some sort of engagement with a curious native, especially if you’re caught taking their photo. The interaction this tends to generate is quite often priceless. I’ve been incredibly lucky to meet some truly amazing and fascinating people in this way.

Generally I like to try and take candid shots of people in their everyday environment. However, if you’ve travelled in Asia you’ll know this isn’t always possible. It’s fairly common to find yourself surrounded by people all wanting to see themselves on the LCD screen. The kids in this image were no exception.

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I don’t remember the name of the village where these images were taken. In fact I’m not sure I ever knew the name as it wasn’t in the guidebook, but it was obvious not many tourists passed through. Well, this was my assumption as there wasn’t a guesthouse or shop, and for the fact that I seemed to be the centre of attention. I can quite honestly say that by doing absolutely nothing of any interest whatsoever, I’ve never been so interesting to so many people!

It was a fantastic rough and tumble little place. I must have spent a couple of hours wandering around, soaking up the relaxed atmosphere. If there had been a guesthouse I would have stayed for a night at least. It was so refreshing not to encounter another westerner. I did manage to capture some natural shots before I left the village. I applied a water colour filter in Photoshop to this photo. The effect complemented the colours and textures really well and added another dimension to the image.

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Snow!

Monday, January 25th, 2010

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The rumour is that the snow is coming back! I really hope so because it was such great fun last time. Obviously Christmas is a fun time for everyone and being a student away from home it is great to go back and enjoy that time with my family. However my friends and I have been snowed under in more ways than one. The Christmas period is often the worst in terms of work, deadlines and revision and interspersed with the festivities were very healthy dollops of work. So the snow was a welcome relief. I didn’t get as much time to play in it as I would have liked however, if it makes a return appearance I shall be out and about straight away!

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The shots in this post show just how cold it got! The canal was completely frozen over and didn’t move for almost a week, and the post box had icicles forming on it!

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The last two shots were taken when I went to the golf course near my house with my brother and sister. The first one is of my little brother getting some very impressive air on the golf course and the second is a shot of my sister just before she crashed!

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The Magical Art of Sak Yant

Tuesday, December 22nd, 2009

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Buddhist monk Hlwong Pi Phaew sits on the veranda of his quarters at Wat Bang Phra, a temple approximately 50km outside Bangkok, Thailand. He sits cross-legged on a cushion, with a long silver tattooing needle in his right hand. The monk wears saffron robes over biceps, back and chest covered in magical Sanskrit text. Large dragons coil around both of his lower legs. He is half way through tattooing a large, geometric grid of Sak Yant, ancient protective tattoos, on the middle of a man’s back, whilst three comrades pull their friend’s skin tight from three different angles.

The monk smoothly, silently and precisely pricks away at the man’s flesh with his two-pronged spear, only stopping to occasionally dip the points into a pot of ink, made from secret magical ingredients, supposedly including cobra venom.

HP Phaew, who prefers to work outdoors, is one of the most respected of all the monks in the temple and also one that retains the strict traditions of the art. Like all of the tattooist he will only make marks above the waist, and his designs all come with specific spells, chants, symbolism and meaning. The wearer has to abide by a set of rules in order to retain the magic of the tattoo, although all Sak Yant will lose their power over time.

Why I like photography

Friday, December 11th, 2009

The thing I love about photography is the fact that it can be creative. It is not just the practice of capturing the world around us as it is, although that is a valuable part of it, but it is also the opportunity to create images from scratch. This is partially one of the reasons I enjoy self portraits by people. Often, the photographer will have thought about exactly what they want in the photo, creating an image in this way allows you to include or exclude whatever you want. This photo is inspired by some quotes in some of my favourite plays.

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 The first Under a Blue Sky by David Eldridge “his sightless blue eyes still shone in the sun” and Angels in America by Tony Kushner “A baby…who stares up at us with big mirror eyes and who does not know who we are.” These two quotations really stuck in my mind, the idea of sightless eyes gazing at the sky. I wanted to create an image which showed this idea of looking but not seeing and death, the final view before the end. I knew I wanted it to be a dark photo, not one with sun and I also wanted it to contain a contrast, so I wore my normal clothes as I felt this image of me, as I look day to day would contrast with the idea of death. Finally I knew I wanted two shots, one distanced to show the idea of loneliness and abandonment and one close up to show the eyes.

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Taking the photos was actually easier than I imagined. I set up my tripod and stuck the ST550 to it, I was surprised that it had been designed to fit to a tripod, as many of my other compacts weren’t. I then set the camera to timer with the front screen on so that i could see myself. Usually I don’t use the front screen, as I’m behind the camera, and having it on while taking a photo of someone else distracts them. However in this case I found it really useful, I managed to get the shot a lot quicker than I do with my SLR camera, as I could see what I was doing rather than guessing my position or facial expression.

Overall I think in the case of self portraits the ST550’s front screen is a great idea, it made taking the photo I wanted much quicker and easier, and meant I could get in out of the rain!

Base Camp

Friday, December 4th, 2009

I’ve never been regarded as a particularly decisive person, ask me to make a decision and it’s probably best you sit down, make yourself comfortable and expect to lose a decent chunk of your life before getting an answer.  Choosing a backpack and the kit needed for the 10 day trek to Annarpurna Base Camp (ABC) was no exception. In hindsight the ridiculous packing and repacking mission was totally unnecessary as the trek to ABC shouldn’t be considered one of the world’s most isolated walks.

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Stunning and remote as the scenery is, you’re never that far away from a guesthouse serving up daal bhaat, pizza or a Mars roll.  For those who haven’t had the pleasure of one of Nepal’s finest and surely most authentic dishes, a Mars roll is basically the equivalent of a battered Mars bar. Looks like a pasty, tastes like nothing else on earth! Having said that my opinion of this culinary delight might well have been clouded by the sheer boredom of eating from the same menu for 10 days. NO MORE EGGS!! I should get my cholesterol checked after a month long egg-a-thon but the potential results concern me, they say ignorance is bliss and that works for me.

Anyway, with my backpack now carefully loaded, with Khukuri rum, I set off with my guide feeling excited, if not a little apprehensive, as I had no idea what to expect from the next 10 days. I had obviously expected to be confronted with amazing scenery but I hadn’t bargained for a constant mind over matter battle with seemingly endless steps.  After spending a couple of grinding hours dragging myself up Satan’s staircase, cursing all the unnecessary stuff in my backpack that I’d previously decided was absolutely necessary, we approached a village and decided to call it a day.

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The guesthouse provided little more than a small cardboard room, extremely efficient in amplifying the outrageous snoring from the beast next door. However it turned out to be a good choice. That night I met a fascinating mix of travellers from Nepal, America, Israel and Latvia. It was a priceless evening, most of it spent trying to decipher all the broken English and different accents.

I was fortunate to meet some lovely people on that first day and crazy night, some of whom I ended up spending the rest of my holiday with. I say crazy night because it must have been at least 11pm before we went to bed. Nepal is a country that goes to bed early and gets up early. In the mountains this philosophy is greatly exaggerated, anything past 9pm is considered a late night. I’m sure this was partly due to the bizarre warping of time we experienced on the trek. If you thought an hour had passed the likelihood was that it had actually only been 5 minutes. I’ve never experienced anything quite like it. I’ve also never been told to keep the noise down at 8pm before (the raging debate on whether dragons ever actually existed will have to be settled another day).

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Setting off early also meant arriving early at the next day’s destination. This in turn led to many evenings huddled round the tables in the guesthouses, being warmed by the large gas burners placed under them. I very much doubt that placing, basically a small volcano, under a wooden table would be allowed back home, but apart from the odd moan about my legs melting I wasn’t going to object. Many hours were spent sitting round these tables, eating, playing cards, eating some more, and exchanging travelling stories. I count myself lucky that I met so many interesting and fun people in the 10 days I spent trekking. As increasingly breathtaking and spectacular as the scenery became with every passing day, it was the people I met along the way that made the experience so enjoyable. When my guide, who had quickly become my friend…and mother at times, fell ill and had to head back, I was thankfully already in good company.

Although the constant battle with steps was distinctly depressing at times, the ever- changing scenery more than made up for it. Every day was different, bamboo forests, amazing mountain ridges, deep gorges and steep valleys.

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But all of these natural wonders were eclipsed by the simply staggering amphitheatre of rock and ice on display at base camp. Those that managed to drag themselves out of bed that freezing cold morning at ABC, were treated to a truly magical sunrise. Standing on the high plateau completely surrounded by a ring of 7,500m high mountains, watching the sky being set alight by the morning sun, is an experience I’ll never forget.

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It took us 7 days to reach base camp but only 3 days to descend. Either we were fairly lazy on the ascent or just highly motivated on the way down by thoughts of a slap up steak dinner (washed down with wine rather than iodine flavoured water). Although the return to civilisation was a bit of a shock, the steak, wine and cocktails helped to ease the pain of reality. Well, perhaps not the cocktails they were truly horrific, but apart from those alcoholic disasters it was a great way to end an amazing trip.

Returning to the cold and rain of England was a significantly bigger reality check, the biting cold of base camp is no match for the bitter chill of Winchester High Street. Thankfully I have plenty of photos to sift through from the comfort and warmth of my appartment, glass in window frames, what a novelty.

I find having no manual controls in a camera fairly daunting but there are many advantages to having a small, high resolution compact like the ST550. Cloud formations are often a major factor in many landscape images but have a nasty habit of changing at pace. Having a wide angle compact in your pocket that can be accessed and ready in seconds is very handy, especially as most compacts have a considerable depth of field, ideal for landscape shots.  The ST550 coped well in low light situations with the flash turned off.  I had expected some of the sunrise images at base camp to lack sharpness, but the in-built stabilisation managed to keep most shots well focused and with minimal loss of detail.

The innovative front LCD panel is a great new feature, athough I haven’t included any of the photos taken using this function. I figured that close up images of my unshaven face, along with a variety of other random photos taken by people in bars were not best suited for public viewing.

Urban Landscapes

Friday, November 6th, 2009

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I’m not entirely sure why I decided to take a walk around a fairly run down industrial area of Southampton, especially on such a sunny afternoon, but I’m glad I did. I find these types of urban landscapes very atmospheric and found myself engaged in some interesting conversations with all manner of different people. It’s funny how walking around with a camera and taking photos seems to encourage interaction. Maybe it’s simply our curious nature or perhaps, and probably more likely, our general mistrust of people taking photos through fences saying ‘PRIVATE - KEEP OUT’

Anyway, armed with my ST550 I thought I’d try and break away from my favoured people shots and try something a bit different. As I wandered around feeling increasingly ‘watched’ I stumbled across a yard full of strange industrial tanks. I say strange only because of their colour and the fact I have no idea what they were used for. Undoubtedly something fairly mundane but at least someone had made an effort to make them look more appealing.

Annoyingly there were some fairly substantial gates preventing access, probably for the best, the yard had ‘curious mans demise’ written all over it. Unfortunately I didn’t have my SLR and zoom lens with me and as a result missed some shots that were simply too far away to capture. However, even with the ST550 straining at its maximum focal limit, and after some fairly heavy cropping, the image quality held up better than expected.

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I have no idea how long I spent innocently loitering outside the yard taking photos. Obviously long enough as I was beginning to think I might look moderately suspicious. As the sun started to disappear behind the urban skyline, the increasing darkness began to slowly trigger all the powerful security lights, creating quite an eerie effect. The slightly surreal lighting and lengthening shadows only added to my sense of being watched so I decided it was probably time for me to head home.

Introducing myself and the ST550

Friday, October 23rd, 2009

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This is my first post here, so I feel I should introduce myself. My name is Sarah and i’m a student at Birmingham University.

Being a student sometimes can get very stressful, most of the people I know at the moment are having to work as well as have a full time course to study for just to make ends meet. Sometimes, being part of two worlds can be a drag and you need to escape from it a bit, and that is what i did.

Today, I went exploring with a friend around our local area. Birmingham is being redeveloped at the moment and many of our magical abandoned buildings are being demolished to make way for bypasses or new housing. In many ways it’s great, but its a shame that so many amazing photo opportunities are being lost.

Nevertheless, we still managed to find one or two, this shot featured is from under the bridge passing over the canal between the University and Selly Oak. I love the contrast between the colourful graffiti and darkness of the canal.

I was pleasantly surprised at the ST550’s ability to pick up the colours in such low lighting and poor weather, and it actually captured the reflection of the bridge in the water better than my SLR. It was also a nice change to use such a light camera, it certainly made taking some shots a lot easier. Overall, despite the rain it was a great way to escape from the stresses of life for a few hours by exploring the discarded worlds of someone else.